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A couple of questions, though: 1) Are there going to be any more Ultimate Guides? 2) Any news on Live 9? Stephen Pasquale, Chippenham Yes, I can confirm that our Ultimate Guide bookazines are an ongoing series. Your Ultimate Guide to Ableton Live is awesome! Just like the Reason one before it did with Reason, it’s rapidly becoming my Live bible (I use Reason ReWired into Live in my studio). Even if the track you make consists entirely of prefab loops, where’s the harm? It’s all music and it’s all good.
Luke Bredin, Benfleet Too right! The argument that you’re not making real music unless you’re programming/recording/designing everything from scratch is one that, while not hard to see the thinking behind, just strikes me as rather elitist. Seeing as we are all producing music because we love it, we should be giving credit where credit is due when a great track is made, no matter where the building blocks have come from. And if they use a preset in a synth, they’ve still got to write a great synth line, which is no different to, say, someone picking up a guitar and writing a great riff. So producers that use loops and samples in their productions have parts of themselves in them in the they way they’ve arranged it, the effects they’ve used, style they write in, etc. Yes, it makes it easier to put a coherent track together, but six minutes of the same loop repeating itself wont interest anyone. RMĭon’t do this for you – you, as a producer, have to have the skills to do this, writing a great track. Hopefully, though, you’ll agree that the inconvenience of having to extract them to your hard drive for auditioning is a price worth paying. Being at 24-bit quality and so numerous, some of our bigger sample collections do demand a lot of storage space, and if we’ve got a particularly high volume of other content on the disc, zipping the files is our only option.
#PHOTOSOUNDER SETUP.EXE ZIP#
We very occasionally have to zip our samples when a particularly large library won’t fit on the DVD uncompressed. Please, please will you change it back again! Sean Webb, Auckland, New Zealand Don’t worry – it’s not a permanent change. This triples the time that it used to take just to audition your samples! Is there a reason for this change to ZIP files? If not then
#PHOTOSOUNDER SETUP.EXE ZIP FILE#
Instead of being able to audition and drag files off the DVD straight into my DAW, I have to now drag the ZIP file onto my desktop or external hard drive and then extract them from there. I’ve just noticed that the samples on the 156 DVD are held in ZIP files, which makes quick auditioning of them from the DVD a nightmare. I have, however, found one thing that I would like to comment on. I have been subscribing to Computer Music for two years now and am constantly learning and getting a great amount of inspiration from your tutorials.
#PHOTOSOUNDER SETUP.EXE FOR MAC#
receive u-he’s As a producer, you superb Uhbik still need to bring people effects bundle through the track, the for Mac and PC, rises and drop-offs, worth $149! the breakdowns, etc. You could spend hours or even days trying to create some sounds of your own and find they just don’t work, but a The ready-made loop might writer of our Message of yield sudden inspiration the Month will for a new track. Samples and loops help creativity and workflow. Even using samples and loops, you’re producing a unique track that other people would not have made because they’re not you – there’s nothing wrong with this as long as you are making it your own track. We’re all here and producing music because we love music. I personally don’t see the problem in using loops and samples. Messa ge of the month The message from Dean Taylor, titled /Rant, in 157’s Inbox got me thinking.
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